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I've dubbed this style 'basstiche', owing to its structure. Rather than bore the listener with a single bass patch, no fewer than six quite different sounds make their debut. This reflects the process of choosing the best sounds for any given track; scrolling through patches and auditioning are a big part of the overall process of putting a track together. Every choice eliminates all other contenders, some of them just as good. Another way of thinking about it would be ta kind of soundclash between bass monsters.

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