Reaction, Vol. 2

Time Rival

Fifteen fabulously cosmic bangers in fifteen fantastical flavors. Instrumental Hip-Hop, Trip-Hop, Glitch-hop, all the hops. It's like a beer that won't damage your brain cells. Time Rival has once again crafted a fine selection of bangers, fresh off the banger crafting assembly line. Get most immediately, on this.


Fifteen fabulously cosmic bangers in fifteen fantastical flavors. Instrumental Hip-Hop, Trip-Hop, Glitch-hop, all the hops. It's like a beer that won't damage your brain cells. Time Rival has once again crafted a fine selection of bangers, fresh off the banger crafting assembly line. Get most immediately, on this.

Triplicate Records

Definitive Ballast

Definitive Ballast(8-31 Master) by Time Rival

Latch

Nebulous Landing

Nebulous Landing(8-31 Master) by Time Rival

Coarse Muslin

Strawberry Veneer

Strawberry Veneer(8-31 Master) by Time Rival

Silent Showers

Silent Showers(8-31 Master) by Time Rival

Aluminum Braids

Aluminum Braids(8-31 Master) by Time Rival

Unlatch

Provocative Vaulting

Provocative Vaulting(8-31 Master) by Time Rival

Interferon

Secondhand Ottoman

Secondhand Ottoman(8-31 Master) by Time Rival

Jetlag

Dusty Grail

Impatiently Waiting

Impatiently Waiting(8-31 Master) by Time Rival

Disassemble

Death By Whisky

Justin Lepard Psychedelic Cello

Original song made by Chris Jeffries, aka Vegans on Acid, who also runs The Homeless Romantic Podcast. 

Original song made by Chris Jeffries, aka Vegans on Acid, who also runs The Homeless Romantic Podcast.

Death By Whisky by Justin Lepard Psychedelic Cello

Death By Whiskey (Psychedelic Cello Remix)

Death By Whiskey(Psychedelic Cello Remix) by Justin Lepard Psychedelic Cello

Death By Whiskey

Hot Steel and Fuzzy Stuff

Novaebeat

HSFS is an instrumental Hip-hop album with Pop Rock accents combining Boombap beats and electric guitars.

HSFS is an instrumental Hip-hop album with Pop Rock accents combining Boombap beats and electric guitars.

HSFS Intro

Eight

Take your time

Before we go

October 17th (Interlude)

October 17th

Five Strokes

Rage

Burger Party

Christmas (Interlude)

Christmas

New day

Laura

Manoir

Grandma

Kurushoto

Woke up like this (outro)

Woke up like this

Ready For Vallarta

Tavo Santos

First single available in my album 'The HiFi Collection'.
Inspired in the Mexican Port of 'Puerto Vallarta'.

First single available in my album 'The HiFi Collection'.
Inspired in the Mexican Port of 'Puerto Vallarta'.

Ready For Vallarta (Instrumental)

Ready For Vallarta(Instrumental) by Tavo Santos

SUPRA / INFRA

Jesse May

Jesse May is a big beat project that incorporates musical elements derived from garage rock, punk and electronica. The instruments recorded on this single were bass, synthesizer and drumpads. Mastered in Studio 755 Villa María, Córdoba.

Jesse May is a big beat project that incorporates musical elements derived from garage rock, punk and electronica. The instruments recorded on this single were bass, synthesizer and drumpads. Mastered in Studio 755 Villa María, Córdoba.

Low Psy Records

Infra

Supra

Juanito Thompson's Transatlantic Colleague

Dag Henderson

started making an ambient record, accidentally spilled drums everywhere

All musical instruments were recorded at Jake's house in State College, PA '21-'23 (with a tiny bit from '19). Using either a field recorder or, in the case of the drums, a distant phone, these were each recorded independently, without reference to the others. The field recordings were taken '16-'23 in the State College/Penn State area, New Hampshire/Frogwood Manor, Brooklyn/Manhattan, and most recently, MycoFest 2023 in Centre Hall, PA. All of these components were blended together as a sound collage to bring you this mini album.

drums, electric guitar, synthesizer, loops, & field recording by JAM
recording, editing, mixing, mastering, & artwork by JAM

started making an ambient record, accidentally spilled drums everywhere
All musical instruments were recorded at Jake's house in State College, PA '21-'23 (with a tiny bit from '19). Using either a field recorder or, in the case of the drums, a distant phone, these were each recorded independently, without reference to the others. The field recordings were taken '16-'23 in the State College/Penn State area, New Hampshire/Frogwood Manor, Brooklyn/Manhattan, and most recently, MycoFest 2023 in Centre Hall, PA. All of these components were blended together as a sound collage to bring you this mini album.
drums, electric guitar, synthesizer, loops, &amp; field recording by JAM
recording, editing, mixing, mastering, &amp; artwork by JAM

magmacrunch media

Juanito Thompson's Transatlantic Colleague by Dag Henderson

We Don't Need Time Where We're Going (Original Mix)

We Don't Need Time Where We're Going by Dag Henderson

We Don't Need Time Where We're Going

Hologram of a Dream (Original Mix)

Hologram of a Dream

Shoelace Express (Original Mix)

Shoelace Express

Municipal Garden (Original Mix)

Municipal Garden

Hypnagogia (Original Mix)

Hypnagogia

Area Does Not Exist (Original Mix)

Area Does Not Exist

Through the Mirror Line (Original Mix)

Through the Mirror Line

Millstone Woods May 2018 (Original Mix)

Millstone Woods May 2018

Millstone Woods May 2018 by Dag Henderson

Decrystallization (Original Mix)

Decrystallization

Ivan Garci 

Enjoy my new sounds.Music to relax.

Kar [Vlosfer Records] (Original Mix)

Kar [Vlosfer Records]

Paraiso [Vlosfer Records] (Original Mix)

Paraiso [Vlosfer Records]

White Paper EP Extended

Erik Strauss

Originally released in 2011, in the same day, the "White Paper EP" was inspired by my first trip to Berlin. 
It's a kind of instrumental continuos track that contains some repetive minimal sounds. 
Twelve years later, I've decided to publish an extend version with other 3 tracks ("0", "984" and "Puke the Excess") that wasn't in any other following releases.


Originally released in 2011, in the same day, the "White Paper EP" was inspired by my first trip to Berlin. 
It's a kind of instrumental continuos track that contains some repetive minimal sounds. 
Twelve years later, I've decided to publish an extend version with other 3 tracks ("0", "984" and "Puke the Excess") that wasn't in any other following releases.

White Paper

4 Memories 2 Forget

Annalogique

0 (zero)

Puke the Excess

I am Sure I am Happy

Be.Holders

A 4-track-journey, trying to reaching the peace of mind through unknown land.

All tracks are composed by me, except for "Ascension", made in collaboration with Be.Holders (Lyrics + Vocal:Francesco Rossi, Studio Musician: Davide Santandrea)

Cover art: Arthur Lavard (British Library Public Domain)

A 4-track-journey, trying to reaching the peace of mind through unknown land.
All tracks are composed by me, except for "Ascension", made in collaboration with Be.Holders (Lyrics + Vocal:Francesco Rossi, Studio Musician: Davide Santandrea)
Cover art: Arthur Lavard (British Library Public Domain)

Behind and Over

Landing on You

Into the Greenwood

Ascension (feat. Be.Holders)

Ascension (feat. Be.Holders) by Erik Strauss, Be.Holders

All This Blue Is About Happiness

An instrumental journey through sensations and relaxed feelings, reverbs and slow guitar melted with chill lo-fi beats.

Cover artwork: personal archive of architectural photographs

An instrumental journey through sensations and relaxed feelings, reverbs and slow guitar melted with chill lo-fi beats.
Cover artwork: personal archive of architectural photographs

All This Blue Is About Happiness by Erik Strauss

Even if the sky is too smoth I would like to run on it

Even if the sky is too smoth I would like to run on it by Erik Strauss

Reach out that old little cloud and feel young again

Reach out that old little cloud and feel young again by Erik Strauss

Flying high above the city just to wallowing with the stars

Flying high above the city just to wallowing with the stars by Erik Strauss

Urbanature

A lot of concrete buildings have been abandoned and nature wants its space back by trying to wrap and break them.
This is the concept behind the album: "Urbanature".

The tracks are heavily influenced by trip-hop and alternative sounds of '90s (Massive Attack, Portishead, Garbage, etc.)

All the photos for the sleeve cover art and labels and music video for "Darkside (a Way to Come Back)" are entirely my own productions.

Thanks to RYAL (Jacqueline Ryal) for lyrics and vocal on "What it's Worth"
Thanks to Ilaria Riccio for lyrics and vocals on "Darkside (a Way to Come Back)"
Thanks to The Gardener (Thomas Hollis) for his guitar on "Devil's Garden"

A lot of concrete buildings have been abandoned and nature wants its space back by trying to wrap and break them.
This is the concept behind the album: "Urbanature".
The tracks are heavily influenced by trip-hop and alternative sounds of '90s (Massive Attack, Portishead, Garbage, etc.)
All the photos for the sleeve cover art and labels and music video for "Darkside (a Way to Come Back)" are entirely my own productions.
Thanks to RYAL (Jacqueline Ryal) for lyrics and vocal on "What it's Worth"
Thanks to Ilaria Riccio for lyrics and vocals on "Darkside (a Way to Come Back)"
Thanks to The Gardener (Thomas Hollis) for his guitar on "Devil's Garden"

Vision of Gea

What it's Worth (feat. RYAL)

What it's Worth (feat. RYAL)(feat. Ryal) by Erik Strauss

Stomps on Concrete

No Communication

Darkside (a Way to Come Back) (feat. Ilaria Riccio)

Darkside (a Way to Come Back) (feat. Ilaria Riccio)(A Way to Come Back) by Erik Strauss

instrumentalbeats