long forgotten quest​​​.​​​.​​​.

experience solitude

Miami Palm🌴
Unlimited Streaming

🌴Support the label & artist:
miamipalm.bandcamp.com/music
experience-solitude.bandcamp.com/album/long-forgotten-quest

🌴Instagram:
instagram.com/miami_palm/

🌴Twitter:
twitter.com/miami_palm

🌴Youtube:
youtube.com/@Miami_Palm

Miami Palm🌴
Unlimited Streaming
🌴Support the label &amp; artist:
miamipalm.bandcamp.com/music
experience-solitude.bandcamp.com/album/long-forgotten-quest
🌴Instagram:
instagram.com/miami_palm/
🌴Twitter:
twitter.com/miami_palm
🌴Youtube:
youtube.com/@Miami_Palm

Miami Palm

long forgotten quest​​​.​​​.​​​. by experience solitude

embark...

dreams of glory...

dreams of glory... by experience solitude

this path has no end...

this path has no end... by experience solitude

tonight, i am one with the setting sun...

tonight, i am one with the setting sun... by experience solitude

FLAT 1 - BIT CRUSHED SEAGUL / SPACE REHEARSALS

MATHBALLX

Flat Pyramid Records

FLAT 1 - BIT CRUSHED SEAGUL / SPACE REHEARSALS by MATHBALLX

Bit Crushed Seagul

Space Rehearsals

Music For Dome 711

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅₵K

₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

"What Joy Is There In Living return with a dungeon belter fused with (90's to modern) crap hip hop. Who in their right mind would attempt to gel farm animals/dungeon synth/rapping into one 'attempt' of an album. Well WJITIL have done just that, I dare you not to enjoy this shit."
-Borenail Records

R. Simons - Sample indexing and sound font purchase 

"What Joy Is There In Living return with a dungeon belter fused with (90's to modern) crap hip hop. Who in their right mind would attempt to gel farm animals/dungeon synth/rapping into one 'attempt' of an album. Well WJITIL have done just that, I dare you not to enjoy this shit."
-Borenail Records
R. Simons - Sample indexing and sound font purchase

Borenail Records

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅₵K by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 01 SKU⌊⌊ᐊRUSʰ_ᐊʰAᴉͶMAᴉ⌊ (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 01 SKU⌊⌊ᐊRUSʰ_ᐊʰAᴉͶMAᴉ⌊ by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 01 SKU⌊⌊ᐊRUSʰ_ᐊʰAᴉͶMAᴉ⌊

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 02 TE▲R THE HE▲D OFF ▲ M∪ͶCHKIͶ (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 02 TE▲R THE HE▲D OFF ▲ M∪ͶCHKIͶ by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 02 TE▲R THE HE▲D OFF ▲ M∪ͶCHKIͶ

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 03 USED ʎ∎U (FE∀T. FPHUQZʎ)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 03 USED ʎ∎U(FE∀T. FPHUQZʎ) by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 03 USED ʎ∎U

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 04 ANTH≣M TO WURM⌊UNG (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 04 ANTH≣M TO WURM⌊UNG by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 04 ANTH≣M TO WURM⌊UNG

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 05 ₸HE⑊SERPEN₸⑊₸ECHNᴉQUE (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 05 ₸HE⑊SERPEN₸⑊₸ECHNᴉQUE by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 05 ₸HE⑊SERPEN₸⑊₸ECHNᴉQUE

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 06 BATTL≣_AX≣_RUCKKA_FUCKKA (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 06 BATTL≣_AX≣_RUCKKA_FUCKKA by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 06 BATTL≣_AX≣_RUCKKA_FUCKKA

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 07 ↁRAG ⃣ Ͷ_BREA⊺ʰ_MISFIRE (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 07 ↁRAG ⃣ Ͷ_BREA⊺ʰ_MISFIRE by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 07 ↁRAG ⃣ Ͷ_BREA⊺ʰ_MISFIRE

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 08 gƱ††эя†яΔ$н ¢Ʊ†îэ (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 08 gƱ††эя†яΔ$н ¢Ʊ†îэ by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 08 gƱ††эя†яΔ$н ¢Ʊ†îэ

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 09 ⋮JOY⋮IS⋮IN⋮†H3⋮GU††3R⋮ (F3A†.⋮ↁJ⋮CHAMBÉRY⋮ROS3)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 09 ⋮JOY⋮IS⋮IN⋮†H3⋮GU††3R⋮(F3A†.⋮ↁJ⋮CHAMBÉRY⋮ROS3) by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 09 ⋮JOY⋮IS⋮IN⋮†H3⋮GU††3R⋮

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 10 ᐃɴCIEɴ⊺_FᐃRMIɴG_⊺ECHɴIQ∪E$ (Original Mix)

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 10 ᐃɴCIEɴ⊺_FᐃRMIɴG_⊺ECHɴIQ∪E$ by ₩нΔ† Jø¥ î$ †нэяэ îи Lîvîиg

∅ↁ∃•T∅•A•ʰ∅RNʎ•WARL∅ - 10 ᐃɴCIEɴ⊺_FᐃRMIɴG_⊺ECHɴIQ∪E$

Commute Home

rhoslug

Back before we all started having to be more careful about disease, I used to commute. The commute was close to an hour and half so it left plenty of time for boredom, contemplation, and watching the scenery. I hoped to capture some of the sounds, feelings, and spirit of the commute in this album. The pure noise that is at times cacophony and at others rhythmic. The loneliness of traveling in a crowd but everyone within their own bubble. The feeling of traveling from one strange place back to a familiar place.

Enjoy this on your own commute perhaps. Take care!

- rhoslug

----

It is difficult to truly list all the people that helped make this album come to life. But an incomplete list is as follows:

- My family for encouraging me to love music and make music.
- All the fantastic musicians of the Internet and Youtube, without which I never would have contemplated making an album, learning VCV Rack, and exploring generative music.
- Particular thanks should go to Red Means Recording for showcasing how he recorded an ambient album.
- Thanks for Hainbach for showing that weird, ambient music is actually beautiful and is worth putting out in the world.
- Omri Cohen for all the tutorials on VCV Rack. I would never have even tried modular without your instruction.
- My wife for loving me through all the bleep, blooping and still encouraging me to be creative. Thanks.

Back before we all started having to be more careful about disease, I used to commute. The commute was close to an hour and half so it left plenty of time for boredom, contemplation, and watching the scenery. I hoped to capture some of the sounds, feelings, and spirit of the commute in this album. The pure noise that is at times cacophony and at others rhythmic. The loneliness of traveling in a crowd but everyone within their own bubble. The feeling of traveling from one strange place back to a familiar place.
Enjoy this on your own commute perhaps. Take care!
<ul>
<li>rhoslug</li>
</ul>
<hr>
It is difficult to truly list all the people that helped make this album come to life. But an incomplete list is as follows:
<ul>
<li>My family for encouraging me to love music and make music.</li>
<li>All the fantastic musicians of the Internet and Youtube, without which I never would have contemplated making an album, learning VCV Rack, and exploring generative music.</li>
<li>Particular thanks should go to Red Means Recording for showcasing how he recorded an ambient album.</li>
<li>Thanks for Hainbach for showing that weird, ambient music is actually beautiful and is worth putting out in the world.</li>
<li>Omri Cohen for all the tutorials on VCV Rack. I would never have even tried modular without your instruction.</li>
<li>My wife for loving me through all the bleep, blooping and still encouraging me to be creative. Thanks.</li>
</ul>

Embarcadero (Original Mix)

Embarcadero

Into the Tunnel (Original Mix)

Into the Tunnel

Interstellar Corridor (Original Mix)

Interstellar Corridor

The Wastelands (Original Mix)

The Wastelands

Clickety Clack, Train on the Tracks (Original Mix)

Clickety Clack, Train on the Tracks by rhoslug

Clickety Clack, Train on the Tracks

Return to Home (Original Mix)

Return to Home

Ranger of the Old Woods

Zweihänder

This collection of songs is really more like two albums in one:

The first six songs are a concept piece about a ranger finding a secret area in the ancient woods where she's been a ward for years. The story is told in the lyrics. These songs start with DOS ADLIB & OPL2 sounds, progress to Roland Sound Canvas (fancy midi), and end with two SNES-inspired tracks.

The following few songs are an homage to the old sci-fi, cyberpunk, and noir games we grew up playing.

Finally we have a fun track in both the NES and DOS styles... Lastly, I included two fully symphonic tunes.

There are two tracks that feature alternate versions. I have been thinking a lot about how older soundtracks used to sound different based upon the platform or even the sound hardware used. So, I explored that a little.

I tried to limit myself to different systems or styles more so than on previous albums. The results are a bit more "purist" than usual. I cheated a couple of times with a light touch of reverb, but most of the tracks are very similar to what you would hear on the original hardware.

Here's a track list with the style/system in parenthesis.

1. Bobbit's Journey (DOS | OPL2/Adlib)
2. Rainspell (DOS | Roland Sound Canvas)
3. Secrets of the Forest Ruins (DOS | Roland Sound Canvas)
4. City Beneath the Mountain (DOS | Roland Sound Canvas)
5. Journey Through the Enchanted Chasm (SNES)
6. Even Sexy Vampires Must Die (SNES
7. My Vision is Augmented (FM Synth)
8. Private Eyes (DOS | Adlib)
9. Apparition Apprehension Agency (DOS | OPL2)
10. Autumn Snow (DOS | OPL2)
11. Dance the Light Away (NES)
12. Dance the Light Away (DOS | OPL)
13. Allure of the Dark Castle (Symphonic)
14. Even Sexy Vampires Must Die (Symphonic)

Enjoy and please leave me a review so I know which songs you enjoyed the most. 
credits

pixel art by mr_pistooki
"Even Sexy Vampires Must Die" composed for the Doom WAD: Abysm. Info here: ko-fi.com/jazzmaster 

This collection of songs is really more like two albums in one:
The first six songs are a concept piece about a ranger finding a secret area in the ancient woods where she's been a ward for years. The story is told in the lyrics. These songs start with DOS ADLIB &amp; OPL2 sounds, progress to Roland Sound Canvas (fancy midi), and end with two SNES-inspired tracks.
The following few songs are an homage to the old sci-fi, cyberpunk, and noir games we grew up playing.
Finally we have a fun track in both the NES and DOS styles... Lastly, I included two fully symphonic tunes.
There are two tracks that feature alternate versions. I have been thinking a lot about how older soundtracks used to sound different based upon the platform or even the sound hardware used. So, I explored that a little.
I tried to limit myself to different systems or styles more so than on previous albums. The results are a bit more "purist" than usual. I cheated a couple of times with a light touch of reverb, but most of the tracks are very similar to what you would hear on the original hardware.
Here's a track list with the style/system in parenthesis.
<ol>
<li>Bobbit's Journey (DOS | OPL2/Adlib)</li>
<li>Rainspell (DOS | Roland Sound Canvas)</li>
<li>Secrets of the Forest Ruins (DOS | Roland Sound Canvas)</li>
<li>City Beneath the Mountain (DOS | Roland Sound Canvas)</li>
<li>Journey Through the Enchanted Chasm (SNES)</li>
<li>Even Sexy Vampires Must Die (SNES</li>
<li>My Vision is Augmented (FM Synth)</li>
<li>Private Eyes (DOS | Adlib)</li>
<li>Apparition Apprehension Agency (DOS | OPL2)</li>
<li>Autumn Snow (DOS | OPL2)</li>
<li>Dance the Light Away (NES)</li>
<li>Dance the Light Away (DOS | OPL)</li>
<li>Allure of the Dark Castle (Symphonic)</li>
<li>Even Sexy Vampires Must Die (Symphonic)</li>
</ol>
Enjoy and please leave me a review so I know which songs you enjoyed the most. 
credits
pixel art by mr_pistooki
"Even Sexy Vampires Must Die" composed for the Doom WAD: Abysm. Info here: ko-fi.com/jazzmaster

dungeonsynth